1/28/2024 0 Comments Stereo master cincinnatiJimmy’s schooling was at Motown where he was hired as a writer while still in his teens. And his songs have been recorded by the foremost interpreters of these genres. Webb’s music runs the spectrum of modern music genres: country, pop, rock, jazz, rap, heavy metal, new age, gospel, disco, EDM, classical-and more. “ Webb is also superb at leading songwriting lectures and guest speaking on the subject. If you get a chance to see him live, grab it. It’s hard to believe one guy could have written all these amazing songs. As Paul Zollo wrote in Songwriters on Songwriting, “A night with Jimmy at the keys is not unlike getting to hear George Gershwin or Cole Porter live. Sinatra, Elvis, Louis Armstrong, Art Garfunkel, Linda Ronstadt, Harry Nilsson, Richard Harris, Glen Campbell. Jimmy walked with giants and regales audiences with stories of Mr. His humor and storytelling create such a personal atmosphere that the audience cries, laughs and sings as if in the presence of a long lost relative here for a brief visit. In his live shows, Jimmy’s intimate style is juxtaposed against his stature and exquisite piano skills. Webb has been dubbed a modern-day Gershwin/Porter/Berlin and is considered to be a bona fide progenitor of the Great American Songbook, yet at the same time appeals directly and widely to the country/pop/rock/rap culture of today. With songs including “Wichita Lineman”, “By the Time I Get to Phoenix”, “The Worst that Could Happen”, “MacArthur Park”, “Galveston”, “Didn’t We”, “All I Know”, “The Highwayman”, “The Moon is a Harsh Mistress”, he is clearly beloved by the best voices and admired by songwriters everywhere. He is always on the lists of the most important songwriters. His catalog of music and lyrics spans multiple genres and appeals to all living generations. The sound, auditioned on a good conventional stereo, is the main attraction here, and those with the equipment to take full advantage of the glories only hinted out by mere mortals among sound reproduction systems ought to be fully satisfied.Jimmy Webb’s songs are deeply embedded in our culture. This may be the only audiophile album in existence whose credits thank a beekeepers' association. The bee attack in The X-Files: The Movie was recorded by engineer Michael Bishop in a field, with six microphones placed at the entrances of a beehive. What's remarkable about them is that for the most part they don't rely on synthetic sound synthesis. The booklet contains various disingenuous warnings about not turning up the volume too high while playing these, but they are in no way oversold. For one thing, they'll give a full workout even to stereo equipment costing thousands of dollars. These are quite short, but they're well worth hearing. Anyone who has enjoyed other Kunzel discs will enjoy this one, but this is a film-music disc with a difference: there are five tracks of sound effects included. Kunzel's performances are brisk, a bit subdued compared to those in the original films, technically faultless, and carefully consistent. In the main, this is a collection of film music resembling others by Erich Kunzel and the indefatigable Cincinnati Pops, featuring short excerpts from film scores like those to Star Wars: The Phantom Menace, The Rock, Godzilla, and Titanic.
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